Stay connected. Sign up for the Rubin Museum’s monthly newsletter to receive updates about upcoming exhibitions, programs, digital features, and more.
SubscribeEncampment Style and New Encampment
Encampment Style and New Encampment
The Encampment tradition is an artistic tradition associated with the court of the Karmapas, who traveled in large monastic tent encampments. The painting tradition was established by the artist Namkha Tashi (active ca. 1568–1599). No extant painting by the hand of Namkha Tashi has yet been reliably identified, but religious masters of the Karma Kagyu are said to have urged Namkha Tashi to follow Indian Buddhist models for the figures and Chinese painting for coloring and shading, naming models from the Yuan and Ming courts. The style was revived by Situ Panchen (1700–1774). Sometimes called the “New Encampment” style, these paintings are characterized by open airy landscapes of soft blue and green. The Encampment tradition also included a lesser-known sculptural tradition, founded by the artist Karma Sidrel (d. 1591/92).